What we do

Uncharted Territory started 15 years ago, in 1999, with a very unique approach to filmmaking. 

While we either develop and produce our own content, or participate as co-producers in the production of a studio project, for each movie we are creating a visual effects group tailored to the needs of that single project. Within a time frame of usually only a few weeks, the complete hardware and software setup and a team of anywhere from 20 to over 100 artists and managers is assembled for each project, and dissolved again after final delivery.

This is generally consistent with the rest of a film production, but by far not currently the norm. While each film project usually creates teams from scratch for the art department, set construction, costumes, stunts, special effects, editorial, soundFX and music, visual effects is still the "odd one out". It is normally being contracted out to vendors that bid on single assets and shots. 15 years ago, we recognized that this approach doesn't make sense anymore with today's VFX heavy films, in which 50% and up is created virtually.

Since we originated in the world of VFX, from the beginning we aimed to integrate VFX into the overall film production workflow, and use VFX in the best way possible: As an integral part of the creative process, assisting the director and producers in creating the highest possible production value for each project. VFX, if used correctly, can enrich any project of any budget, and offer a toolset to realize and possibly even help extend the vision of the director. It can open up opportunities for visual storytelling and enlarge the canvas or backdrop of many scenes.

We call that Virtual Production, rather than Visual Effects. VP encompasses all steps necessary for a successful VFX-driven or VFX-supported production, from art department via pre-visualization to virtual set technology during shoot, via editorial and postvis to audience screenings, marketing, DI and final delivery. We believe that the creative, iterative process of making a movie must be supported by smooth, intelligent and efficient workflows that allow the creative people to concentrate on the aspects that are important. Every minute or hour that is wasted because information has not been dispersed on time or because information cannot be found, or work is doubled-up, or work has to be fixed because people are not aware of the consequences or effects of certain decisions, is irrevocably wasted. Making up for lost time is impossible because there is a finite number of days available to a finite number of resources in a film production. Time lost in this process will always translate to less iterations, less educated decisions and thus - less creative choices and less production value. A lesser movie. We made it our goal to constantly re-evaluate and re-engineer our approach to all filmmaking processes.

Productions and Co-production:

White House Down

Produced by Brad Fischer, Harald Kloser, Larry Franco, James Vanderbilt Laeta Kalogridis and Roland Emmerich
Co-producers: Volker Engel and Marc Weigert 

Anonymous (feature)

Produced by Robert Leger and Roland Emmerich
Co-producers: Volker Engel, Marc Weigert and Kirstin Winkler 

2012 (feature)

Produced by Roland Emmerich, Harald Kloser, Mark Gordon and Larry Franco
Co-producers: Volker Engel, Marc Weigert and Aaron Boyd 

The Triangle (3x 90)

Produced by Kelly van Horn, Volker Engel and Marc Weigert Executive
Producers Bryan Singer and Dean Devlin 

Dark Kingdom: The Dragon King (2x90 and 120 min feature)

Produced by Konstantin Thoeren, Volker Engel and Marc Weigert Executive
Producers Tim Halkin and Rola Bauer 

Coronado (90 min feature)

Produced by Volker Engel and Marc Weigert.